Lord Shiva Begging before Godess Parvati

Lord Shiva Begging before Godess Parvati

 Lepakshi Temple, Andhra Pradesh, Vijayanagar Empire, 16th Century AD

          This sculpture depicts a very unusual story: Lord Shiva decides to have some fun at the expense of Godess Parvati.  He transforms himself into a dwarf and goes begging before the Godess.  Parvati not only gives him a basket full of rice, but also pours sambar onto the rice. The dwarf tugs at her sari, and pulls it half off, revealing her nakedness. Parvati realises that the dwarf could be no one else than Lord Shiva himself. 

           The story is not glorifying the outraging of modesty of a woman. It is a comment on the capacity of the intellect to strip nature to unravel its  secrets. Lord Shiva symbolises pure intellect, undisturbed, controlled intelligence.  Godess Parvati symbolises Nature with all of its warmth, and emotions. To understand Nature the intellect has to uncover its secrets. The story is a subtle way of telling people to encourage scientific temper.

Lord Brahma Playing the Mridangam

Lord Brahma Playing the Mridangam

 Lepakshi Temple,  Andhra Pradesh, Vijayanagar Empire,16th Century AD

             Initially Lord Brahma had five heads. The fifth head looked towards the sky. But when he chased his own daughter for lust,  Lord Shiva severed his fifth head off. Lord Brahma was left with four heads. The fifth head is the symbol of ego. A creator or an artist does fall in love with his/ her creation. For, creation feeds the ego. Hence, the need to get rid of ego, the fifth head. 

          Lord Brahma is said to have four heads as truth is reality is multi - dimensional. It can be appreciated from different angles. Thus, the need to accept various perspectives
        The Mridangam is the symbol of time--the rhythmic cycle of time, of creativity, of language, of civilisation.  Therefore, Lord Brahma playing the Mridangam.